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ANTONIO MEUCCI
An invention none of us
could live without, a tool of modern
communications so basic that many of
today's business and social activities would be inconceivable
in its absence, the telephone, is at the center of a series of events so
strange as to amount to a "whodunit."
Most of us were brought up on
the story of Alexander Graham Bell, the romantic figure of an inventor
with dash and charm. Some of these favorable impressions must have
come from the famous, if apocryphal, "Come here Watson, I want
you" legend of the invention of the device, a tradition augmented by
the movie version of the tale, in which actor Don Amiche became more or
less permanently attached to the persona of Bell.
But it seems that history must
be rewritten if justice is to be done to an immigrant from Florence,
Italy: Antonio Meucci, who invented the telephone in 1849 and filed his
first patent caveat (notice of intention to take out a patent) in 1871,
setting into motion a series of mysterious events and injustices which
would be incredible were they not so well documented.
Meucci was an enigmatic
character, a man unable to overcome his own lack of managerial and
entrepreneurial talent, a man tormented by his inability to communicate in
any language other than Italian. The tragic events of his personal
and professional life, his accomplishments and his association with the
great Italian patriot, Garibaldi, should be legendary in themselves but,
curiously, the man and his story are practically unknown today.
Antonio Meucci was born in San
Frediano, near Florence, in April 1808. He studied design and
mechanical engineering at Florence's Academy of Fine Arts and then worked
in the Teatro della Pergola and various other theaters as a stage
technician until 1835, when he accepted a job as scenic designer and stage
technician at the Teatro Tacon in Havana, Cuba.
Absolutely fascinated by scientific
research of any kind, Meucci read every scientific tract he could get his
hands on, and spent all his spare time in Havana on research, inventing a
new method of galvanizing metals which he applied to military equipment
for the Cuban government; at the same time, he continued his work in the
theater and pursued his endless experiments.
One these touched off
a series of fateful events. Meucci had developed a method of using
electric shocks to treat illness which had become quite popular in Havana.
One day, while preparing to administer a treatment to a friend, Meucci
heard an exclamation of the friend, who was in the next room, over the
piece of copper wire running between them. The inventor realized
immediately that he held in his hand something much more important than
any other discovery he had ever made, and he spent the next ten years
bringing the principle to a practical stage. The following ten years
were to be spent perfecting the original device and trying to promote its
commercialization.
With this goal, he left
Cuba for New York in 1850, settling in the Clifton section of Staten
Island, a few miles from New York City. Here, in addition to his
problems of a strictly financial nature, Meucci realized that he could not
communicate adequately in English, having relied on the similarities of
Italian and Spanish during his Cuban residence. Furthermore, in
Staten Island, he found himself surrounded by Italian political refugees;
Giuseppe Garibaldi, when exiled from Italy, spent his period of United
States residency in Meucci's house. The scientist tried to help his
Italian friends by devising any number of industrial projects using new or
improved manufacturing methods for such diverse products as beer, candles,
pianos and paper. But he knew nothing of management, and even those
initiatives which succeeded were to have their profits eaten up by
unscrupulous or inept managers or by the refugees themselves, who spent
more time in political discussion than they did in active work.
Meanwhile, Meucci continued to
dedicate his time to perfecting the telephone. In 1855, when his
wife became partially paralyzed, Meucci set up a telephone system which
joined several rooms of his house with his workshop in another building
nearby, the first such installation anywhere. In 1860, when the
instrument had become practical, Meucci organized a demonstration to
attract financial backing in which a singer's voice was clearly heard by
spectators a considerable distance away. A description of the
apparatus was soon published in one of New York's Italian newspapers and
the report together with a model of the invention were taken to Italy by a
certain Signor Bendelari with the goal of arranging production there;
nothing came of this trip, nor of the many promises of financial support
which had been forthcoming after the demonstration.
The years which followed brought increasing
poverty to an embittered and discouraged Meucci, who nonetheless continued
to produce a series of new inventions. His precarious financial
situation, however, often constrained him to sell the rights to his
inventions, and still left him without the wherewithal to take out final
patents on the telephone.
A dramatic event, in which Meucci was
severely burned in the explosion of the steamship Westfield returning from
New York, brought things to an even more tragic state. While Meucci
lay in hospital, miraculously alive after the disaster, his wife sold many
of his working models (including the telephone prototype) and other
materials to a secondhand dealer for six dollars. When Meucci sought
to buy these precious objects back, he was told that they had been resold
to an "unknown young man" whose identity remains a mystery to
this day.
Crushed, but not beaten, Meucci worked
night and day to reconstruct his invention and to produce new designs and
specifications, clearly apprehensive that someone could steal the device
before he could have it patented. Unable to raise the sum for a
definitive patent ($250, considerable in those days), he took recourse in
the caveat or notice of intent, which was registered on December 28, 1871
and renewed in 1872 and 1873 but, fatefully, not thereafter.
Immediately after he
received certification of the caveat, Meucci tried again to demonstrate
the enormous potential of the device, delivering a model and technical
details to the vice president of one of the affiliates of the newly
established Western Union Telegraph Company, asking permission to
demonstrate his "Talking Telegraph" on the wires of the Western
Union system. However, each time that Meucci contacted this vice
president, a certain Edward B. Grant, he was told that there had been no
time to arrange the test. Two years passed, after which Meucci
demanded the return of his materials, only to be told that they had been
"lost." It was then 1874.
In 1876,
Alexander Graham Bell filed a patent which does not really describe the
telephone but refers to it as such. When Meucci learned of this, he
instructed his lawyer to protest to the U.S. Patent Office in Washington,
something that was never done. However, a friend did contact
Washington, only to learn that all the documents relevant to the
"Talking Telegraph" filed in Meucci's caveat had been
"lost." Later investigation produced evidence of illegal
relationships linking certain employees of the Patent Office and officials
of Bell's company. And later, in the course of litigation between
Bell and Western Union, it was revealed that Bell had agreed to pay
Western Union 20 percent of profits from commercialization of his
"invention" for a period of 17 years. Millions of dollars
were involved, but the price may been cheaper than revealing facts better
left hidden, from Bell's point of view.
In
the court case of 1886, although Bell's lawyers tried to turn aside
Meucci's suit against their client, he was able to explain every detail of
his invention so clearly as to leave little doubt of his veracity,
although he did not win the case against the superior - and vastly richer
- forces fielded by Bell. Despite a public statement by the then
Secretary of State that "there exists sufficient proof to give
priority to Meucci in the invention of the telephone," and despite
the fact that the United States initiated prosecution for fraud against
Bell's patent, the trial was postponed from year to year until, at the
death of Meucci in 1896, the case was dropped.
The story of Antonio Meucci is
still little known, yet it is one of the most extraordinary episodes in
American history, albeit an episode in which justice was perverted.
Still, the genius and perseverance of an Italian immigrant - genius, poor
businessman, tenacious defender of his rights against incredible odds and
grinding poverty - is a story which must be told. Antonio Meucci is
waiting to be recognized as the inventor of a key element in our modern
culture.
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